David Ehrlich
Pixel (1987)
Hand-drawn and hand-colored on a pixel grid, the film is a meditative evocation of medieval stained glass windows. (more)
Hand-drawn and hand-colored on a pixel grid, the film is a meditative evocation of medieval stained glass windows. (more)
Dryads (1988)
Etude (1994)
An animated clay-painting in homage to Abstract Expressionism. (more)
An animated clay-painting in homage to Abstract Expressionism. (more)
Interstitial Wavescapes (1995)
Waves are the layered effects of the evolution of matter and space, the fluctuating surface of the sea, and the ever-extending formations of earth and rock. (more)
Waves are the layered effects of the evolution of matter and space, the fluctuating surface of the sea, and the ever-extending formations of earth and rock. (more)
Robot Rerun (1996)
Seeming to move forward in time and space, we exist in perpetual cycles, both creating and being created by our televised environments, which in the end are only reflections of our dreams. (more)
Seeming to move forward in time and space, we exist in perpetual cycles, both creating and being created by our televised environments, which in the end are only reflections of our dreams. (more)
ASIFA Variations (1997)
A calligraphic ode to the ASIFA logo and various personalities in the International Animation Association. (more)
A calligraphic ode to the ASIFA logo and various personalities in the International Animation Association. (more)
Color Run (2001)
Taking Color for a Walk (2002)
An homage to Paul Klee. Color is taken for a walk through its various mixes and transformations. (more)
An homage to Paul Klee. Color is taken for a walk through its various mixes and transformations. (more)
Current Events (2002)
Abstract calligraphic lines evoke meditative rhythms of nature. (more)
Abstract calligraphic lines evoke meditative rhythms of nature. (more)
Bio (2015)
Dedicated to his father who was a doctor, Ehrlich’s animation is a lyrical meditation on the dynamics and transformations of human and plant biology. (more)
Dedicated to his father who was a doctor, Ehrlich’s animation is a lyrical meditation on the dynamics and transformations of human and plant biology. (more)
Clay (2016)
Working the color clay, my mind turned first to the way in which flowers swell and burst into radiant color, and then to mountain landscapes bathed in linear waves of vibrating light. (more)
Working the color clay, my mind turned first to the way in which flowers swell and burst into radiant color, and then to mountain landscapes bathed in linear waves of vibrating light. (more)
Color Dance (2016)
Color contrasts in time have their own radiations, particles dancing on the retina of our memories of Nature. (more)
Color contrasts in time have their own radiations, particles dancing on the retina of our memories of Nature. (more)
Shan (2017)
A meditation, in the blue-green mountains, on age and timelessness. (more)
A meditation, in the blue-green mountains, on age and timelessness. (more)
LIN (2018)
A forest, becoming both less and more as the seasons go by, reaches old age, upright and alone. (more)
A forest, becoming both less and more as the seasons go by, reaches old age, upright and alone. (more)
Coming or Going (2020)
In memory of my mother, figures touch, separate, then merge into one another until they separate again. (more)
In memory of my mother, figures touch, separate, then merge into one another until they separate again. (more)
Dissipative Fantasies (1986)