Nicolás Prividera
Degree in Communication (UBA), and graduated from the Argentina National School of Cinema (ENERC), where he currently works as a teacher. He has directed two films features: "M" (2007, award for best Latin American film and prize FIPRESCI at the Festival de Mar del Plata, as well as also the Runner Up Prize at the Festival of Yamagata (Japan), the prize for best documentary at the Mostra of Lleida and a special jury mention at the Festival of Gijón (Spain), as well as participating in numerous international festivals of cinema (New York, Vienna, Hamburg, Havana, Mexico, San Pablo, etc). "Fatherland" (2011), was presented at the Toronto film festival, and after passing through several of the aforementioned festivals obtained the mention of FIPRESCI Argentina to the best national release in 2012. He published the book "The Country of Cinema. For a political history of the new Argentine cinema".
m (2007)
Close to achieving the same age as her mother when she was kidnapped in 1976, the film director began an intense investigation that leads him to meet with old colleagues and militants close to his mother. In this search, new questions arise, misunderstandings, ... (more)
Close to achieving the same age as her mother when she was kidnapped in 1976, the film director began an intense investigation that leads him to meet with old colleagues and militants close to his mother. In this search, new questions arise, misunderstandings, ... (more)
Fatherland (2011)
Fatherland brings a rigorous structural approach to a site of monuments that is also a place of movement, criss-crossed daily by tourists and locals. The grounds are laid out like city blocks, with wide avenues branching onto laneways filled with elaborate ... (more)
Fatherland brings a rigorous structural approach to a site of monuments that is also a place of movement, criss-crossed daily by tourists and locals. The grounds are laid out like city blocks, with wide avenues branching onto laneways filled with elaborate ... (more)
I shot Antoine Doinel (2019)
A film buff does his generational autobiography by relating the problems of maturity in contemporary cinema to the character of Antoine Doinel. When he learns that the actor who played him is coming to visit his city, he makes a drastic decision. (more)
A film buff does his generational autobiography by relating the problems of maturity in contemporary cinema to the character of Antoine Doinel. When he learns that the actor who played him is coming to visit his city, he makes a drastic decision. (more)
A Farewell to Memory (2020)
A father who has lost his memory. A son looking for home movies that his father filmed. And among them, the impossible memory of the missing mother (more)
A father who has lost his memory. A son looking for home movies that his father filmed. And among them, the impossible memory of the missing mother (more)
Intervened Archives: Cinema School (2016)
Continuing the series started with Intervened Events (2014), the Buenos Aires Film Museum presents the second feature film made entirely with material from its archives and by fourteen outstanding Argentine filmmakers. These are nine issues of Cine Escuela ... (more)
Continuing the series started with Intervened Events (2014), the Buenos Aires Film Museum presents the second feature film made entirely with material from its archives and by fourteen outstanding Argentine filmmakers. These are nine issues of Cine Escuela ... (more)