Alain Cavalier (born September 14, 1931) is a French film director. He was born in Vendôme, Loir-et-Cher and studied film at the Institut des hautes études cinématographiques. He won several awards, including the César Award for Best Film and César Award for Best Director for his film Thérèse in 1987. His upcoming film Pater is scheduled to premiere In Competition at the 2011 Cannes Film Festival Description above from the Wikipedia article Alain Cavalier, licensed under CC-BY-SA, full list of contributors on Wikipedia
Philippe : An actress, a member of the Académie française, a boxer, an actor... Philippe, an all-round athlete of the televised interview, prepares to interview them one after the other. Half an hour each, without deletions, in a single afternoon. He takes some ... (more)
Philippe : An actress, a member of the Académie française, a boxer, an actor... Philippe, an all-round athlete of the televised interview, prepares to interview them one after the other. Half an hour each, without deletions, in a single afternoon. He takes some ... (more)
Jacquotte : Once a year, in July, on the way to vacation, Jacquotte relives her childhood for a few hours in her beloved parents' home, which has remained intact. They died long ago, but nothing has been touched in the house. One day, it may be necessary to sell ... (more)
Jacquotte : Once a year, in July, on the way to vacation, Jacquotte relives her childhood for a few hours in her beloved parents' home, which has remained intact. They died long ago, but nothing has been touched in the house. One day, it may be necessary to sell ... (more)
Léon : This morning, Léon the shoe-repairer puts up a sign in his store that he's managed for forty-six years : "Closing down in two months." Panic sets in among the neighborhood inhabitants, who adore this big-hearted Armenian with an amazing face. Is there some ... (more)
Léon : This morning, Léon the shoe-repairer puts up a sign in his store that he's managed for forty-six years : "Closing down in two months." Panic sets in among the neighborhood inhabitants, who adore this big-hearted Armenian with an amazing face. Is there some ... (more)
Novelist and screenwriter Emmanuèle Bernheim and filmmaker Alain Cavalier have been friends for 30 years. They are preparing a film based on the former’s autobiography, “Tout s’est bien passé” (Everything Went Fine). In it, she tells how her father asked her to ... (more)
Novelist and screenwriter Emmanuèle Bernheim and filmmaker Alain Cavalier have been friends for 30 years. They are preparing a film based on the former’s autobiography, “Tout s’est bien passé” (Everything Went Fine). In it, she tells how her father asked her to ... (more)
A movie director attemps to film the way he writes a screenplay. (more)
A movie director attemps to film the way he writes a screenplay. (more)
"These portraits are encounters I wanted to be kept from oblivion, even if it is only while you are watching them. They are women who work, who have children, and who, at the same time, keep their independence of mind. I shot 24 portraits of 13 minutes each. I have ... (more)
"These portraits are encounters I wanted to be kept from oblivion, even if it is only while you are watching them. They are women who work, who have children, and who, at the same time, keep their independence of mind. I shot 24 portraits of 13 minutes each. I have ... (more)
"These portraits are encounters I wanted to be kept from oblivion, even if it is only while you are watching them. They are women who work, who have children, and who, at the same time, keep their independence of mind. I shot 24 portraits of 13 minutes each. I have ... (more)
"These portraits are encounters I wanted to be kept from oblivion, even if it is only while you are watching them. They are women who work, who have children, and who, at the same time, keep their independence of mind. I shot 24 portraits of 13 minutes each. I have ... (more)
A “Cinéma, de notre temps” series episode directed by french filmmaker Jean-Pierre Limosin, originally aired 26 January 1996. (more)
A “Cinéma, de notre temps” series episode directed by french filmmaker Jean-Pierre Limosin, originally aired 26 January 1996. (more)
"Since a long time I have been linked to the painter Georges de La Tour. His paintings helped me in making my films. Even more, in a precise way they crossed my personal life. The film I shot about La Tour is about that : an intimate emotion followed by the love ... (more)
"Since a long time I have been linked to the painter Georges de La Tour. His paintings helped me in making my films. Even more, in a precise way they crossed my personal life. The film I shot about La Tour is about that : an intimate emotion followed by the love ... (more)
"I have been lucky enough to be able to film the cleaning and restoration work on a painting by Pierre Bonnard: Nu dans la baignoire. I completely inhabited this canvas. It drew me to it and allowed me to record the palpable cinematic evidence of Bonnard's art of ... (more)
"I have been lucky enough to be able to film the cleaning and restoration work on a painting by Pierre Bonnard: Nu dans la baignoire. I completely inhabited this canvas. It drew me to it and allowed me to record the palpable cinematic evidence of Bonnard's art of ... (more)
An American sculptor, passioned by literature, comes to Paris to perfect his art, but ends up with barely no money, and to survive has to sell The New York Herald Tribune, at night, to his compatriots. A look at the bohemian Parisian life of the fifties. (more)
An American sculptor, passioned by literature, comes to Paris to perfect his art, but ends up with barely no money, and to survive has to sell The New York Herald Tribune, at night, to his compatriots. A look at the bohemian Parisian life of the fifties. (more)