Juliette Gariépy
Juliette Gariépy is a Canadian actress from Quebec. She is most noted for her performance in the film Red Rooms (Les Chambres rouges), for which she won the Prix Iris for Revelation of the Year at the 25th Quebec Cinema Awards in 2023. She was also cowinner with Nathan Stewart-Jarrett of the award for Best Performance at the 2023 Fantasia Film Festival. Her other film roles have included Boost, You Can Live Forever and Mothers and Monsters.
The Beep Test
(2017)
Wojtek is a mysterious new student at school. This is why he is a prey designated for Thomas and Philippe, two students in search of entertainment. Not finding the words in front of his assailants, Wojtek will go back to his physical education course to express the ... (more)
Wojtek is a mysterious new student at school. This is why he is a prey designated for Thomas and Philippe, two students in search of entertainment. Not finding the words in front of his assailants, Wojtek will go back to his physical education course to express the ... (more)
Boost (2017)
Hakeem and A-Mac are like brothers. Together facing immigrant life in Montreal, while 'spotting' cars after school. Boost gives us a glimpse into the awkward adventures of teenage boyhood, then the jolt, when that innocence ends abruptly. (more)
Hakeem and A-Mac are like brothers. Together facing immigrant life in Montreal, while 'spotting' cars after school. Boost gives us a glimpse into the awkward adventures of teenage boyhood, then the jolt, when that innocence ends abruptly. (more)
10 Seconds of Carla (2016)
During a party, Gaby begins to suspect that spreading rumours of a football team gang-bang may well involve her best friend, Carla. (more)
During a party, Gaby begins to suspect that spreading rumours of a football team gang-bang may well involve her best friend, Carla. (more)
Where Do Cats Go After 9 Lives? (2017)
Lily-May decides to tell those closest to her about the choice she has made. She intends to end her life at an assisted suicide clinic. When the time of our own death is predetermined, is saying goodbye any easier? (more)
Lily-May decides to tell those closest to her about the choice she has made. She intends to end her life at an assisted suicide clinic. When the time of our own death is predetermined, is saying goodbye any easier? (more)
Inès (2022)
Caught up in a symbiotic relationship with her father, Inès (20 years old) embarks on a difficult path to try to escape from this imposing man in order to build her own identity and become an adult woman. (more)
Caught up in a symbiotic relationship with her father, Inès (20 years old) embarks on a difficult path to try to escape from this imposing man in order to build her own identity and become an adult woman. (more)
You Can Live Forever
(2022)
When Jaime, a gay teenager, is sent to live in a community of Jehovah's Witnesses in small-town Quebec, she falls madly in love with a devout Witness girl. The two embark on an intense affair with consequences that will reshape the rest of their lives. (more)
When Jaime, a gay teenager, is sent to live in a community of Jehovah's Witnesses in small-town Quebec, she falls madly in love with a devout Witness girl. The two embark on an intense affair with consequences that will reshape the rest of their lives. (more)
Red Rooms (2023)
The high-profile case of serial killer Ludovic Chevalier has just gone to trial, and Kelly-Anne is obsessed. When reality blurs with her morbid fantasies, she goes down a dark path to seek the final piece of the puzzle: the missing video of a murdered 13-year-old girl. (more)
The high-profile case of serial killer Ludovic Chevalier has just gone to trial, and Kelly-Anne is obsessed. When reality blurs with her morbid fantasies, she goes down a dark path to seek the final piece of the puzzle: the missing video of a murdered 13-year-old girl. (more)
Remake of Deux femmes en or (1970). (more)
Mothers and Monsters (2023)
As played by Mylène Mackay in Edith Jorisch’s utterly singular satire, an elegant woman presides over a banquet whose increasingly surreal nature reflects ideals and anxieties about modern motherhood. (more)
As played by Mylène Mackay in Edith Jorisch’s utterly singular satire, an elegant woman presides over a banquet whose increasingly surreal nature reflects ideals and anxieties about modern motherhood. (more)