Vladimir Carvalho
A Pedra da Riqueza (1975)
The contrast in the extremely rudimentary form of xelite mining and the use of tungsten, obtained from xelite, in the most complex instruments of nuclear technology. (more)
The contrast in the extremely rudimentary form of xelite mining and the use of tungsten, obtained from xelite, in the most complex instruments of nuclear technology. (more)
Quilombo (1975)
Documentary made in the municipality of Luziânia - Goiás, presenting a black community, a remnant of the old quilombo. (more)
Documentary made in the municipality of Luziânia - Goiás, presenting a black community, a remnant of the old quilombo. (more)
A Machine to Live in (2020)
In this wildly inventive hybrid documentary, the feature debut from experimental film and installation artists Yoni Goldstein and Meredith Zielke, viewers are transported to the space-age city of Brasília. A modernist architectural marvel, the city is a sparkling ... (more)
In this wildly inventive hybrid documentary, the feature debut from experimental film and installation artists Yoni Goldstein and Meredith Zielke, viewers are transported to the space-age city of Brasília. A modernist architectural marvel, the city is a sparkling ... (more)
Mutirão (1975)
A population close to Brasília receives a group of people from the big city that tries to recover lost elements of the local culture (more)
A population close to Brasília receives a group of people from the big city that tries to recover lost elements of the local culture (more)
Utopia, Distopia (2020)
Jorge Bodanzky reaches to his memories of the time he studiet at the University of Brasília to show a look into the 1960s Brazilian youtuh, with its dreams, expectations, crisis and incomplete projects. (more)
Jorge Bodanzky reaches to his memories of the time he studiet at the University of Brasília to show a look into the 1960s Brazilian youtuh, with its dreams, expectations, crisis and incomplete projects. (more)
Candango: Memoirs from a Festival (2020)
In 1965, a year after the military coup in Brazil, an oasis of freedom opened in the country's capital. The Brasília Film Festival: a landmark of cultural and political resistance. Its story is that of Brazilian cinema itself. (more)
In 1965, a year after the military coup in Brazil, an oasis of freedom opened in the country's capital. The Brasília Film Festival: a landmark of cultural and political resistance. Its story is that of Brazilian cinema itself. (more)
Nas Asas da Pan Am (2020)
Silvio Tendler goes through his life remembering the movements he was part of during the brazilian dictatorship and his adherence to socialism. (more)
Silvio Tendler goes through his life remembering the movements he was part of during the brazilian dictatorship and his adherence to socialism. (more)
Perseghini (1984)
Luís Perseghini, a former member of Brazilian Comunist Party, remembers his life e and his dream of living in a socialist country. (more)
Luís Perseghini, a former member of Brazilian Comunist Party, remembers his life e and his dream of living in a socialist country. (more)
Brasília - A Última Utopia (1993)
Six episodes set in and focusing on the history of Brasília, the capital of Brazil. Episode list: A Paisagem Natural (dir. Vladimir Carvalho), O Sinal da Cruz (dir. Pedro Jorge de Castro), A Volta de Chico Candango (dir. Roberto Pires), Além do Cinema do Além (dir ... (more)
Six episodes set in and focusing on the history of Brasília, the capital of Brazil. Episode list: A Paisagem Natural (dir. Vladimir Carvalho), O Sinal da Cruz (dir. Pedro Jorge de Castro), A Volta de Chico Candango (dir. Roberto Pires), Além do Cinema do Além (dir ... (more)
O Cinema Segundo Vladimir Carvalho (2001)
The documentary presents an overview of Vladimir Carvalho's cinematographic career, from the very beginning, as a co-writer of “Aruanda” (1960), directed by Linduarte Noronha, to the present day. With Vladimir himself as the main narrator and illustrated by scenes ... (more)
The documentary presents an overview of Vladimir Carvalho's cinematographic career, from the very beginning, as a co-writer of “Aruanda” (1960), directed by Linduarte Noronha, to the present day. With Vladimir himself as the main narrator and illustrated by scenes ... (more)