António Palolo
A. Palolo: Ver o Pensamento a Correr (1995)
The film's starting point was an exhibit at the Centre of Modern Art (Gulbenkian) in Lisbon. By evoking a time in the past and the adventures of the artist's generation, Silva Melo is able to depict the oeuvre and the artistic persona of António Palolo. (more)
The film's starting point was an exhibit at the Centre of Modern Art (Gulbenkian) in Lisbon. By evoking a time in the past and the adventures of the artist's generation, Silva Melo is able to depict the oeuvre and the artistic persona of António Palolo. (more)
Lights (1976)
Manipulating the way the camera captures light and the use of filters, this film configures a kaleidoscope of abstract lights of different colours, reflections, fragmented irises, peepholes, circular forms, flashes of lights in the dark punctuated by images of ... (more)
Manipulating the way the camera captures light and the use of filters, this film configures a kaleidoscope of abstract lights of different colours, reflections, fragmented irises, peepholes, circular forms, flashes of lights in the dark punctuated by images of ... (more)
OM (1978)
A mysterious genesis, in which abstract thought is constantly transformed into concrete substance, and the microscopic level of things interchanges with the macroscopic representation of the universe. - Culturgest (more)
A mysterious genesis, in which abstract thought is constantly transformed into concrete substance, and the microscopic level of things interchanges with the macroscopic representation of the universe. - Culturgest (more)