Celluloid and Marble is based on Rohmer's own articles published in "Cahiers du cinéma", discussing film in relation to the other arts, maintaining that, in an age of cultural self-consciousness, cinema was “the last refuge of poetry” - the only contemporary art form from which metaphor could still spring naturally and spontaneously.
César Baldaccini | Himself |
Georges Candilis | Himself |
Pierre Klossowski | Himself |
Claude Parent | Self |
Roger Planchon | Himself |
Nicolas Schoeffer | Self |
Claude Simon | Himself |
K.R.H. Sonderborg | Himself |
Takis | Self |
Paul Virilio | Himself |
Victor Vasarely | Self |
Iannis Xenakis | Himself |