This highly personal film essay demonstrates that Chinese cinema has dealt with questions of gender and sexuality more frankly and provocatively than any other national cinema. Yang ± Yin examines male bonding and phallic imagery in the swordplay and kung fu movies of the '60s and '70s; homosexuality; same-sex bonding and physical intimacy; the continuing emphasis on women's grievances in melodramas; and the phenomenon of Yam Kim-Fai, a Hong Kong actress who spent her life portraying men on and off the screen.
Chang Cheh | Himself |
Chen Kaige | Himself |
Leslie Cheung | Himself |
Hou Hsiao-hsien | Himself |
Ang Lee | Himself |
John Woo | Himself |
Tsui Hark | Himself |
Tsai Ming-liang | Himself |
Peggy Chiao | Herself |
Xie Jin | Himself |
Xie Yang | Himself |
Edward Yang | Himself |