The renowned anarchist teacher Count Ervin Batthyány reappears 100 years after his death. He tries to put his theories into practice again, as he realises that the world has not turned out as he had expected. He founds a new free school with the help of some ... (more)
The renowned anarchist teacher Count Ervin Batthyány reappears 100 years after his death. He tries to put his theories into practice again, as he realises that the world has not turned out as he had expected. He founds a new free school with the help of some ... (more)
Weird Science Fiction. Directed by Ivan and Igor Buharov. (more)
Weird Science Fiction. Directed by Ivan and Igor Buharov. (more)
Oneheadword Protection uses stop-motion animation techniques throughout, irrespective of whether a scene features objects, cardboard cut-outs or human bodies. This gives the film a febrile, panicky rhythm. An all-important sense of play and dressing-up runs ... (more)
Oneheadword Protection uses stop-motion animation techniques throughout, irrespective of whether a scene features objects, cardboard cut-outs or human bodies. This gives the film a febrile, panicky rhythm. An all-important sense of play and dressing-up runs ... (more)
Do you know what barman pours for spirits? Do you know what drink the barman pours? If your lover pours the drink, it's your destruction, If the drink is fiery, inside it brings illumination. Drink intoxication's drink, be consumed by love! A drop happily seeks its ... (more)
Do you know what barman pours for spirits? Do you know what drink the barman pours? If your lover pours the drink, it's your destruction, If the drink is fiery, inside it brings illumination. Drink intoxication's drink, be consumed by love! A drop happily seeks its ... (more)
And everything could change: silence is nothing more than a revulsion of speaking out; in the freedom of speech lurks the darkest formation of human confinement. (more)
And everything could change: silence is nothing more than a revulsion of speaking out; in the freedom of speech lurks the darkest formation of human confinement. (more)
Hotel Tubu (2002) is a good introduction to the Buharov’s cinema. A relatively early work, its slapstick playfulness and improvised fancy dress party aesthetic might at first suggest a wilful exercise in absurdity for its own sake. Yet this is tempered by a rather ... (more)
Hotel Tubu (2002) is a good introduction to the Buharov’s cinema. A relatively early work, its slapstick playfulness and improvised fancy dress party aesthetic might at first suggest a wilful exercise in absurdity for its own sake. Yet this is tempered by a rather ... (more)
The Buharovs, as the harbingers of a supra-human world, blend their instinctive cosmos with a kind of quiet poetry to lead the viewer into the Land of Warm Waters and onwards to new dimensions of storytelling. (more)
The Buharovs, as the harbingers of a supra-human world, blend their instinctive cosmos with a kind of quiet poetry to lead the viewer into the Land of Warm Waters and onwards to new dimensions of storytelling. (more)