Maria Plyta (26 November 1915 - 4 March 2006) was a Greek film director, prose writer, playwright and journalist. She was the first female director in Greece and is known for the films The Engagements (1950), The Baptist (1952) and The Lustrakos (1962), which achieved great commercial success. Plyta is considered one of the most important personalities of early post-war cinema, as, along with other directors, she defined the cinematic language of the time. She also wrote novels and plays, and worked for several years in newspapers and magazines. lthough Plyta was the first Greek woman director, with a filmography of 17 films in 20 years (1950 – 1970), to this day, she remains underrated, despite the fact that her films were an important part of the history of Greek cinema in the 1950s and 1960s.
The small loustrakos Vasilis Maras alongside the school of fine on the streets of Athens to make money. The mother finds injustice in prison for the murder of Demetrias. With the persistence of the king, however, and the help of a lawyer, the Karelia, the mother of ... (more)
The small loustrakos Vasilis Maras alongside the school of fine on the streets of Athens to make money. The mother finds injustice in prison for the murder of Demetrias. With the persistence of the king, however, and the help of a lawyer, the Karelia, the mother of ... (more)
The bond between a young painter and a girl who accidentally encounters a beach finds obstacles because of the information that her father learns about her past, who visits her and persuades her to give up. Based on the story of The Lady with the Camellias. (more)
The bond between a young painter and a girl who accidentally encounters a beach finds obstacles because of the information that her father learns about her past, who visits her and persuades her to give up. Based on the story of The Lady with the Camellias. (more)
Wanting to have nothing to do with the feud that has decimated not only his own family but also that of his neighbors, an irenic teacher faces his childhood sweetheart who yearns to kill him. Can the feared she-wolf see the error of her ways? (more)
Wanting to have nothing to do with the feud that has decimated not only his own family but also that of his neighbors, an irenic teacher faces his childhood sweetheart who yearns to kill him. Can the feared she-wolf see the error of her ways? (more)
During the Balkan Wars, Vivika Zaharouli, sick and tired of the goings-on of her womanizer husband, welcomes in Athens her godchild, who comes to live in their house. She doesn't know, however, that this is not her godchild but an impostor, Petros Harmidis, who ... (more)
During the Balkan Wars, Vivika Zaharouli, sick and tired of the goings-on of her womanizer husband, welcomes in Athens her godchild, who comes to live in their house. She doesn't know, however, that this is not her godchild but an impostor, Petros Harmidis, who ... (more)
Young Antinoos is on vacation on an island where he meets a seductive woman, Eva, who is having a miserable time with her middle-aged husband, Alekos. Eva is attracted to Antinoos, who is her missing part, but at the same time, she feels guilty and tries to ... (more)
Young Antinoos is on vacation on an island where he meets a seductive woman, Eva, who is having a miserable time with her middle-aged husband, Alekos. Eva is attracted to Antinoos, who is her missing part, but at the same time, she feels guilty and tries to ... (more)
After leaving Nafplio, the first capital of the newly founded Greek Nation, the affluent French Duchess of Plaisance and ardent philhellene, Sophie de Marbois-Lebrun, moves to Athens with her young daughter, Eliza, circa 1834. (more)
After leaving Nafplio, the first capital of the newly founded Greek Nation, the affluent French Duchess of Plaisance and ardent philhellene, Sophie de Marbois-Lebrun, moves to Athens with her young daughter, Eliza, circa 1834. (more)
A young couple's romance comes to a tragic end. (more)