Marie-France Boyer
Marie-France Boyer (born 22 April 1938 in Marseille) is a French actress, singer and the author of many internationally published non-fiction books on France. She appeared from 1959 until 1976 in more than a dozen feature films and several TV shows. During her career as actress she worked with many directors, among them François Villiers, Henri Verneuil, Agnès Varda, Riccardo Freda, Luc de Heusch, John Krish and Gilles Grangier. Marie-France Boyer also had the female leading part in the TV series Quentin Durward, playing Isabelle de Croye, whose fate becomes a subject of dispute between the duke of Burgundy and the king of France. As a part of this role, she sings two medieval songs. Isabelle's beauty and loveliness inspire the protagonist to surpass himself, and when he is finally offered high positions at either ruler's courts, he refuses both because he prefers to live by her side. In 1967, she participated in screen tests for the search of the new male actor for the figure of James Bond in the film On Her Majesty's Secret Service. Source: Article "Marie-France Boyer" from Wikipedia in English, licensed under CC-BY-SA 3.0.
Thursday We Shall Sing Like Sunday (1967)
A bitter-sweet story of a young sales assistant and a truck driver trapped between their dreams and the economic depression. (more)
A bitter-sweet story of a young sales assistant and a truck driver trapped between their dreams and the economic depression. (more)
The Man Who Had Power Over Women (1970)
A successful talent agent enjoys the good life until his wife leaves him. He moves in with his friend and begins an affair with the man's wife. He also gets a new difficult client whose public image must be preserved at any cost. (more)
A successful talent agent enjoys the good life until his wife leaves him. He moves in with his friend and begins an affair with the man's wife. He also gets a new difficult client whose public image must be preserved at any cost. (more)
Happiness
(1965)
A young husband and father, perfectly content with his life, falls in love with another woman. (more)
A young husband and father, perfectly content with his life, falls in love with another woman. (more)
The Unknown Man of Shandigor
(1967)
Crazed scientist Herbert Von Krantz invents a device to sterilize all nuclear weapons, and a mad herd of rival spies desperately try to get their hands on it. (more)
Crazed scientist Herbert Von Krantz invents a device to sterilize all nuclear weapons, and a mad herd of rival spies desperately try to get their hands on it. (more)
Weekend at Dunkirk (1964)
In June 1940, during the Dunkirk evacuation of Allied troops to England, French sergeant Julien Maillat and his men debate whether to evacuate to Britain or stay and fight the German troops that are closing-in from all directions. (more)
In June 1940, during the Dunkirk evacuation of Allied troops to England, French sergeant Julien Maillat and his men debate whether to evacuate to Britain or stay and fight the German troops that are closing-in from all directions. (more)
Trap for the Assassin (1966)
This one is generally looked upon as the best version of the old-fashioned melodrama by Jules Mary.Riccardo Freda,who was mainly known for his horror movies,tried also his hand at spy thrillers in the wake of James Bond ("Coplan Ouvre Le Feu à Mexico") ,and had a ... (more)
This one is generally looked upon as the best version of the old-fashioned melodrama by Jules Mary.Riccardo Freda,who was mainly known for his horror movies,tried also his hand at spy thrillers in the wake of James Bond ("Coplan Ouvre Le Feu à Mexico") ,and had a ... (more)
Sin with a Stranger (1968)
François, a journalist, is approached on the train home by pretty a blonde. She leaves at the same station as him and follows him until he ends up inviting her to his house. (more)
François, a journalist, is approached on the train home by pretty a blonde. She leaves at the same station as him and follows him until he ends up inviting her to his house. (more)
Piège blond (1970)
Film shot in subjective camera, often in voice-over which tells the love affair of the blonde Yselle, surprised by her extremely jealous and very possessive husband. (more)
Film shot in subjective camera, often in voice-over which tells the love affair of the blonde Yselle, surprised by her extremely jealous and very possessive husband. (more)