Kit Fitzgerald
Black & White (1981)
Employing single-frame edits from broadcast television, the artists construct a rapid-fire media barrage of sound and image. (more)
Employing single-frame edits from broadcast television, the artists construct a rapid-fire media barrage of sound and image. (more)
Adelic Penguins (1986)
Originally commissioned by the Sony Corporation of Japan and performed live on the JumboTRON, a fourteen-story TV set at the Expo in Tsukuba, Japan, Adelic Penguins is a collaboration between Fitzgerald, artist Paul Garrin, and composer Ryuichi Sakamoto (who also ... (more)
Originally commissioned by the Sony Corporation of Japan and performed live on the JumboTRON, a fourteen-story TV set at the Expo in Tsukuba, Japan, Adelic Penguins is a collaboration between Fitzgerald, artist Paul Garrin, and composer Ryuichi Sakamoto (who also ... (more)
Group Portrait: Six Artists in Video (1978)
This is a documentary about video artists Bill & Louise Etra, Woody & Steina Vasulka, and Kit Fitzgerald & John Sanborn. (more)
This is a documentary about video artists Bill & Louise Etra, Woody & Steina Vasulka, and Kit Fitzgerald & John Sanborn. (more)
The Super-8 Show: Beyond Home Movies (1981)
A short survey of the small-gauge narrative film, beginning with the Kuchars' Sylvia's Promise (1962). Primarily focused on East Coast artists, the work of Eric Mitchell, Manuel DeLanda and Ericka Beckman is highlighted. (more)
A short survey of the small-gauge narrative film, beginning with the Kuchars' Sylvia's Promise (1962). Primarily focused on East Coast artists, the work of Eric Mitchell, Manuel DeLanda and Ericka Beckman is highlighted. (more)
Resolution of the Eye (1980)
This work explores perception, time and memory, based on the concept that "science has yet to determine the actual resolution of the eye." Using time-lapse, slow dissolves, and ghostly, ephemeral images, the artists manipulate linear time and dimensionality. ... (more)
This work explores perception, time and memory, based on the concept that "science has yet to determine the actual resolution of the eye." Using time-lapse, slow dissolves, and ghostly, ephemeral images, the artists manipulate linear time and dimensionality. ... (more)