Hiroshi Yajima
Modern Female Ninja: Flesh Hell (1968)
Violence Without a Cause (1969)
Three violent and disillusioned students share an apartment. Their search for a place in society is through porn, fights, rape, and voyeurism. Not even leftist, militant student organizations are able to channel their youthful frustration. (more)
Three violent and disillusioned students share an apartment. Their search for a place in society is through porn, fights, rape, and voyeurism. Not even leftist, militant student organizations are able to channel their youthful frustration. (more)
Absolutely Secret: Girl Torture (1968)
Set in the Edo Era, the film opens with a group of women being convicted of various crimes. The rest of the film is given to graphic depiction of the tortures the women endure as part of their sentences. (more)
Set in the Edo Era, the film opens with a group of women being convicted of various crimes. The rest of the film is given to graphic depiction of the tortures the women endure as part of their sentences. (more)
New Jack & Betty (1969)
The lustful desires of a bourgeois family for a "meeting". (more)
The lustful desires of a bourgeois family for a "meeting". (more)
Pinku from 1969. (more)
The Woman Who Wanted to Die (1971)
Mishima has just committed suicide. Two couples meet by accident at an inn in the countryside, the man and the woman, now, each with a new partner, who knew each other already for ten years... (more)
Mishima has just committed suicide. Two couples meet by accident at an inn in the countryside, the man and the woman, now, each with a new partner, who knew each other already for ten years... (more)
Pinku from 1970. (more)
Pinku from 1970. (more)
Secret Flower (1971)
A woman who has just missed her suicide and a couple which has just left its political movement meet on a beach... (more)
A woman who has just missed her suicide and a couple which has just left its political movement meet on a beach... (more)
Pinku from 1971. (more)
Sex Family (1971)
A critique of the ideal Japanese family, here seen as militaristic, absurdly incestuous and patriarchal. And only nihilistic destruction by the young ones seems to be the only way out. (more)
A critique of the ideal Japanese family, here seen as militaristic, absurdly incestuous and patriarchal. And only nihilistic destruction by the young ones seems to be the only way out. (more)