Everyday family life as perfectly normal madness. “As Melhores Coisas do Mundo“ follows a few days in the life of the 15-year-old Mano, who is fighting on two fronts: his parents have just got divorced and he is going through puberty. Mano tries to make his way ... (more)
Everyday family life as perfectly normal madness. “As Melhores Coisas do Mundo“ follows a few days in the life of the 15-year-old Mano, who is fighting on two fronts: his parents have just got divorced and he is going through puberty. Mano tries to make his way ... (more)
One day, Eduardo arrives at his house and discovers that Julia, his wife, tried to commit suicide. She left her husband and two children without saying goodbye. After some time, she comes back home. He tries everything to set her straight, but the impossibility of ... (more)
One day, Eduardo arrives at his house and discovers that Julia, his wife, tried to commit suicide. She left her husband and two children without saying goodbye. After some time, she comes back home. He tries everything to set her straight, but the impossibility of ... (more)
Thiago and Guilherme, two teenage cousins from São Paulo, Brazil, are disturbed by their grandfather's funeral. To avoid the unpleasantness surrounding the event, they run away to the families cabin, taking their friend Priscila with them. (more)
Thiago and Guilherme, two teenage cousins from São Paulo, Brazil, are disturbed by their grandfather's funeral. To avoid the unpleasantness surrounding the event, they run away to the families cabin, taking their friend Priscila with them. (more)
A director-character, an intervening actor, an interviewer-character: how do these mediations reveal the shifting levels of difference in the relations woven inside films? The project investigates the interview as a dialogue strategy and fiction as its vehicle. (more)
A director-character, an intervening actor, an interviewer-character: how do these mediations reveal the shifting levels of difference in the relations woven inside films? The project investigates the interview as a dialogue strategy and fiction as its vehicle. (more)