Jorge Ayala Blanco
Jorge Ayala Blanco (Mexico City, 1942) is a mexican film historian and critic, author and dean professor at the National School of Cinematographic Arts (ENAC) of the National Autonomous University of Mexico (UNAM). Although he studied Industrial Chemistry at the National Polytechnic Institute (IPN) and after trying to study film at the UNAM University Center for Cinematographic Studies (CUEC), where he occupied a place as a teacher and not as a student, he leaned towards the field of the essay. With more than fifty years of experience, he is also a professor at theNational School of Cinematographic Arts previously Center for Cinematographic Studies, since 1964 and the Casa Lamm cultural center. His contribution to the study of cinema has been his “alphabet” of Mexican cinema, a series of books of great importance for understanding the most representative films of his country.
Los Rollos Perdidos (2012)
This documentary begins searching for the whereabouts of the films that Servando Gonzalez did about the events of October 2nd 1968 in Tlatelolco, research that later will deal with the fire of March 24th 1982 at the National Film Archives, which destroyed a lot of ... (more)
This documentary begins searching for the whereabouts of the films that Servando Gonzalez did about the events of October 2nd 1968 in Tlatelolco, research that later will deal with the fire of March 24th 1982 at the National Film Archives, which destroyed a lot of ... (more)
Alucardos: Portrait of a Vampire (2011)
Terror, transsexualism, and an eternal cult film. What is on the mind of horror film director Juan López Moctezuma and his fans, Manolo and Lalo, who are not only obsessed with the Mexican horror film 'Alucarda', but also believe in their hearts that they are its ... (more)
Terror, transsexualism, and an eternal cult film. What is on the mind of horror film director Juan López Moctezuma and his fans, Manolo and Lalo, who are not only obsessed with the Mexican horror film 'Alucarda', but also believe in their hearts that they are its ... (more)
The Black Legend of Mexican Cinema (2016)
During 1950, Miguel Contreras Torres led a group of filmmakers to officially denounce William O. Jenkins' monopoly on film theaters, which was built throughout the country upon crime and corruption. Ever since, Uncle Miguel was ridiculed and eventually forgotten, ... (more)
During 1950, Miguel Contreras Torres led a group of filmmakers to officially denounce William O. Jenkins' monopoly on film theaters, which was built throughout the country upon crime and corruption. Ever since, Uncle Miguel was ridiculed and eventually forgotten, ... (more)