Leticia Palma
Leticia Palma was born on December 23, 1926 in Paraiso, Tabasco, Mexico as Zoyla Gloria Ruiz Moscoso. She was an actress.
¡No me defiendas, compadre! (1949)
A bungling wannabe-lawyer keeps interfering in his friend's lives; his desire to help always makes things worse. (more)
A bungling wannabe-lawyer keeps interfering in his friend's lives; his desire to help always makes things worse. (more)
Mujeres sin mañana (1951)
Loosely-plotted melodrama about five "hostesses" and the owners of a waterfront nightclub. (more)
Loosely-plotted melodrama about five "hostesses" and the owners of a waterfront nightclub. (more)
In the Palm of Your Hand (1951)
A con artist seduces the widow of a millionaire, only to learn she'd plotted with her lover to murder the late husband. A tense game of cat-and-mouse ensues—but who's the cat? Perhaps the greatest thriller ever made in Mexico, starring Arturo de Córdova and Leticia ... (more)
A con artist seduces the widow of a millionaire, only to learn she'd plotted with her lover to murder the late husband. A tense game of cat-and-mouse ensues—but who's the cat? Perhaps the greatest thriller ever made in Mexico, starring Arturo de Córdova and Leticia ... (more)
Yo bailé con Don Porfirio (1942)
Light comedy in which Joaquin Cortes and Mapy Pardavé join their talents, written and directed by Gilberto Martinez Solares. It deals with the life of a pair of twins from a provincial family who emigrated to the city, then one begins to work in a music magazine ... (more)
Light comedy in which Joaquin Cortes and Mapy Pardavé join their talents, written and directed by Gilberto Martinez Solares. It deals with the life of a pair of twins from a provincial family who emigrated to the city, then one begins to work in a music magazine ... (more)
Cuatro contra el mundo (1950)
This dazed Mexican-melodrama-cum-boozer-heist-noir cuts a dark swath over a border nominally dominated by the hardboiled likes of Chandler and Hammett. Employing many of the classic tropes of Mexican noir (blood-tainted money, hothouse betrayals, the entrapped ... (more)
This dazed Mexican-melodrama-cum-boozer-heist-noir cuts a dark swath over a border nominally dominated by the hardboiled likes of Chandler and Hammett. Employing many of the classic tropes of Mexican noir (blood-tainted money, hothouse betrayals, the entrapped ... (more)
Hell Road (1951)
When a robbery goes wrong, the thief takes a singer as hostage, they fall in love and try to rebuild their lives, but tragedy surges in the most unexpected way. (more)
When a robbery goes wrong, the thief takes a singer as hostage, they fall in love and try to rebuild their lives, but tragedy surges in the most unexpected way. (more)
They also sing of pain (1950)
The movie starts with Braulio Peláez (Pedro Infante), a schoolteacher, having just fallen off his horse, representing the situation he and his family are in. The next scenes introduce the viewer to his family and their poor financial and social situation. As ... (more)
The movie starts with Braulio Peláez (Pedro Infante), a schoolteacher, having just fallen off his horse, representing the situation he and his family are in. The next scenes introduce the viewer to his family and their poor financial and social situation. As ... (more)
Hipócrita..! (1949)
A disfigured woman is helped by a talented composer to recover her face with plastic surgery. Then he discovers that she's a beautiful woman and a talented singer. (more)
A disfigured woman is helped by a talented composer to recover her face with plastic surgery. Then he discovers that she's a beautiful woman and a talented singer. (more)
Por qué peca la mujer (1952)
Working-class girl-next--door type is seduced into a high-glam lifestyle when an oily promoter helps launch her as a nightclub singer; she throws over her decent-simple-guy boyfriend and loses her moral compass. (more)
Working-class girl-next--door type is seduced into a high-glam lifestyle when an oily promoter helps launch her as a nightclub singer; she throws over her decent-simple-guy boyfriend and loses her moral compass. (more)
Passionate (1952)
Returning veteran with PTSD/amnesia returns home and gets tangled up in a criminal investigation. (more)
Returning veteran with PTSD/amnesia returns home and gets tangled up in a criminal investigation. (more)
