Muayad Alayan is a film director, cinematographer and producer based in Palestine. His directorial debut ‘Love, Theft and Other Entanglements’ (2015), which he also produced, had its premiere in the Panorama section of the Berlin International Film Festival. It was nominated for the First Feature Award and has since been distributed in more than 20 territories. His first short film premiered at the Clermont-Ferrand International Short Film Festival in 2009 and went on to screen at more than 60 festivals. He also co-directed and produced the documentary ‘Sacred Stones’, which won the Al-Jazeera Channel Award in 2012.
Layabout, clandestine lover, small-time hood – Mousa has all kinds of skills. A refugee camp resident, this Palestinian does not give a damn about his father’s hard-won permit to work legally in the Israeli part of Jerusalem – he would rather earn a living stealing ... (more)
Layabout, clandestine lover, small-time hood – Mousa has all kinds of skills. A refugee camp resident, this Palestinian does not give a damn about his father’s hard-won permit to work legally in the Israeli part of Jerusalem – he would rather earn a living stealing ... (more)
The affaire of a married Palestinian man and a married Israeli woman in Jerusalem takes a dangerous political dimension when they are spotted in the wrong place at the wrong time leaving them to deal with more than their broken marriages. (more)
The affaire of a married Palestinian man and a married Israeli woman in Jerusalem takes a dangerous political dimension when they are spotted in the wrong place at the wrong time leaving them to deal with more than their broken marriages. (more)
West Jerusalem is dotted with comfortable stone villas built by affluent Palestinian families in the early 20th century, who were forced to abandon their homes 1948. The film delves into this legacy with a supernatural tale about a British-Jewish woman who moves to ... (more)
West Jerusalem is dotted with comfortable stone villas built by affluent Palestinian families in the early 20th century, who were forced to abandon their homes 1948. The film delves into this legacy with a supernatural tale about a British-Jewish woman who moves to ... (more)