Sergio Giral
Sergio Giral (born 2 January 1937) is a Cuban-American film writer and director. He was raised in New York City, as an aspiring young painter in the days of the Beatnik generation. In 1962, Oscar-winning cinematographer Nestor Almendros invited Giral to work together at the ICAIC (The Cuban Film Institute). It was there, after a series of shorts and documentaries, that Giral filmed a trilogy (The Other Francisco, Rancheador and Maluala) about slavery in 19th Century Cuba and the Caribbean. The Other Francisco was entered into the 9th Moscow International Film Festival where it won a Diploma.[1] In 1991 Giral returned to the United States. He resides in Miami. Dos Veces Ana was his first feature film made in USA.
Maluala (1979)
In 19th century Cuba, runaway African slaves known as 'Cimarrons' hiding in settlements in the eastern mountains. But discord among the Cimarrons is sown by a limited offer of freedom from the Spanish. Maluala is part of a trilogy of films about Cuba's slave ... (more)
In 19th century Cuba, runaway African slaves known as 'Cimarrons' hiding in settlements in the eastern mountains. But discord among the Cimarrons is sown by a limited offer of freedom from the Spanish. Maluala is part of a trilogy of films about Cuba's slave ... (more)
María Antonia (1990)
The plot is situated in Cuba during the early '50s, before the cuban revolution. A prostitute gets in love with a boxer to whom she devotes her life. As the boxer progresses in his career, he gets money and women. The prostitute tries everything to keep him ... (more)
The plot is situated in Cuba during the early '50s, before the cuban revolution. A prostitute gets in love with a boxer to whom she devotes her life. As the boxer progresses in his career, he gets money and women. The prostitute tries everything to keep him ... (more)
Rancheador (1979)
A historical epic, cast in the style of a realistic narrative with symbolic overtones, about runaway slaves and their hunters in the mid-nineteenth century, which weaves an analysis of the factional divisions between coffee and sugar interests, plantation owners ... (more)
A historical epic, cast in the style of a realistic narrative with symbolic overtones, about runaway slaves and their hunters in the mid-nineteenth century, which weaves an analysis of the factional divisions between coffee and sugar interests, plantation owners ... (more)
The Other Francisco (1975)
Based on the novel Francisco by Anselmo Suárez y Romero, "The Other Francisco" is a socio-economic analysis of slavery and class struggle through the retelling of the original novel. The film contrasts the romantic conceptions of plantation life found in Suárez ... (more)
Based on the novel Francisco by Anselmo Suárez y Romero, "The Other Francisco" is a socio-economic analysis of slavery and class struggle through the retelling of the original novel. The film contrasts the romantic conceptions of plantation life found in Suárez ... (more)
Plácido (1986)
Gabriel de la Concepcion Valdes (Plácido) is accused of leading a conspiracy against the Spanish colonial government. Preoccupied by the development of Afro-Hispanic artist and craftsmen of the mid 19th century, Plácido was executed after living a short and ... (more)
Gabriel de la Concepcion Valdes (Plácido) is accused of leading a conspiracy against the Spanish colonial government. Preoccupied by the development of Afro-Hispanic artist and craftsmen of the mid 19th century, Plácido was executed after living a short and ... (more)