Pip Chodorov
Pip Chodorov, born April 13, 1965 in New York, has been making films and composing music since 1972. He studied cognitive science at the University of Rochester, NY and film semiotics at the University of Paris, France. Work in film distribution - previously Orion Classics, NYC; UGC, Paris; Light Cone, Paris; and, currently, Re:Voir Video, Paris, which he founded in 1994 (www.re-voir.com) and The Film Gallery, the first art gallery devoted exclusively to experimental film (www.re-voir.com/gallery). He is also co-founder of L'Abominable, a cooperative do-it-yourself film lab in Paris, and the moderator of the internet-based forum on experimental film, FrameWorks.
Free Radicals: A History of Experimental Film (2011)
Experimental filmmaker Pip Chodorov traces the course of experimental film in America, taking the very personal point of view of someone who grew up as part of the experimental film community. (more)
Experimental filmmaker Pip Chodorov traces the course of experimental film in America, taking the very personal point of view of someone who grew up as part of the experimental film community. (more)
Sleepless Nights Stories (2011)
Director Jonas Mekas travels through New York nights, through apartments, studios, backstage rooms, galleries, bars, and clubs. Encountering old acquaintances like Ken and Flo Jacobs, Yoko Ono, friends, brothers and sisters, sons and daughters. Mr. Mekas begins the ... (more)
Director Jonas Mekas travels through New York nights, through apartments, studios, backstage rooms, galleries, bars, and clubs. Encountering old acquaintances like Ken and Flo Jacobs, Yoko Ono, friends, brothers and sisters, sons and daughters. Mr. Mekas begins the ... (more)
Wrong Moves (2007)
In "Faux Mouvements", forward and backward motions occur together, movement in different directions are combined. We perceive motion in images that are in fact still. We can also see references to the spiral of the film reel, and the negative and positive of the ... (more)
In "Faux Mouvements", forward and backward motions occur together, movement in different directions are combined. We perceive motion in images that are in fact still. We can also see references to the spiral of the film reel, and the negative and positive of the ... (more)
Day Nine (2007)
The film documents an encounter at 202 Blvd Saint-Germain, in a cafe underneath Apollinaire's last place of residence. Jean-Jacques Lebel gives Jonas Mekas (who remains off screen), three objects associated with Apollinare: an autographed book, a Futurist manifesto ... (more)
The film documents an encounter at 202 Blvd Saint-Germain, in a cafe underneath Apollinaire's last place of residence. Jean-Jacques Lebel gives Jonas Mekas (who remains off screen), three objects associated with Apollinare: an autographed book, a Futurist manifesto ... (more)
Charlemagne 2: Piltzer (2002)
Pip Chodorov's "Charlemagne 2: Piltzer" is a tour de force of hand-processed film which documents a Palestine piano concert. Chodorov uses flicker, negative/positive imagery, different printing techniques and colored filters to produce a film that is a true merging ... (more)
Pip Chodorov's "Charlemagne 2: Piltzer" is a tour de force of hand-processed film which documents a Palestine piano concert. Chodorov uses flicker, negative/positive imagery, different printing techniques and colored filters to produce a film that is a true merging ... (more)
Patrick Bokanowski : visite à l'atelier (2017)
In this documentary, under the gaze of Pip Chodorov, Patrick Bokanowski evokes the genesis of his films and shows, by explaining them, a certain number of his inspirations (his meeting with the painter Henri Dimier , his first photographic tests...), his tools ... (more)
In this documentary, under the gaze of Pip Chodorov, Patrick Bokanowski evokes the genesis of his films and shows, by explaining them, a certain number of his inspirations (his meeting with the painter Henri Dimier , his first photographic tests...), his tools ... (more)
End Memory (Impromptu) (1995)
About ends and memory, the end of an era. I film to remember: the end of a summer, of a family, a last trip to Vermont before a separation, grandparents getting older.... I film impromptu, dissolving and fading in the camera. At night I hand-develop the film in a ... (more)
About ends and memory, the end of an era. I film to remember: the end of a summer, of a family, a last trip to Vermont before a separation, grandparents getting older.... I film impromptu, dissolving and fading in the camera. At night I hand-develop the film in a ... (more)
Paris at the Turn of the 21st Century (1996)
A joyful and light-hearted look at alienation. What we see: ugly modern buildings, too many tourists, uniformity - everywhere the same cafés, the same supermarket bags, beggars and homeless, Senegalese merchants selling small Eiffel Towers, police and people ... (more)
A joyful and light-hearted look at alienation. What we see: ugly modern buildings, too many tourists, uniformity - everywhere the same cafés, the same supermarket bags, beggars and homeless, Senegalese merchants selling small Eiffel Towers, police and people ... (more)
Charlemagne (1998)
In June 22sd 1998, Charlemagne Palestine was invited to perform at Bretigny sur Orge for the Captain Pip’s evenings. He asked me to attend as Captain Pip in order to participate in his performance. (more)
In June 22sd 1998, Charlemagne Palestine was invited to perform at Bretigny sur Orge for the Captain Pip’s evenings. He asked me to attend as Captain Pip in order to participate in his performance. (more)
Atterrissage (1999)
The double, the shadow of the subject, refers to the paradox that is at the heart of the human condition: the uniqueness of the viewer and looked, the voyeur seen. Filmed back from New York in Paris in the winter of 1998, this film brings us back to earth, frame ... (more)
The double, the shadow of the subject, refers to the paradox that is at the heart of the human condition: the uniqueness of the viewer and looked, the voyeur seen. Filmed back from New York in Paris in the winter of 1998, this film brings us back to earth, frame ... (more)
Anthology Film Archives (2001)
A short portrait of Anthology Film Archives, New York s museum of independent cinema founded by Jonas Mekas in 1970. Features interviews with some of the workers including Mekas and some of his Lithuanian friends. (more)
A short portrait of Anthology Film Archives, New York s museum of independent cinema founded by Jonas Mekas in 1970. Features interviews with some of the workers including Mekas and some of his Lithuanian friends. (more)
Jonas Keeps Shooting Around (2002)
A short portrait of Jonas Mekas on the occasion of his 2002 retrospective in Paris (for his 80th birthday). Through film clips and interviews, Mekas recounts his arrival in America, his early life in New York and his first filmmaking experiences. An introduction to ... (more)
A short portrait of Jonas Mekas on the occasion of his 2002 retrospective in Paris (for his 80th birthday). Through film clips and interviews, Mekas recounts his arrival in America, his early life in New York and his first filmmaking experiences. An introduction to ... (more)
Making of Dyn Amo (2006)
Butterfly Experiment (2008)
A figure with two wings on a church's roof. An opera is suggested, Madame Butterfly. A silent poem that combines effect and (angelical) truth... (more)
A figure with two wings on a church's roof. An opera is suggested, Madame Butterfly. A silent poem that combines effect and (angelical) truth... (more)
Charlemagne 3 : Pastrami Recordings (2010)
Charlemagne Palestine, New York musician in Brussels, and Pip Chodorov, film-maker from New York in Paris, evoke their home town through images filmed in 16 mm, sounds taken over the years, songs, electronic music, as well as a new composition of Charlemagne ... (more)
Charlemagne Palestine, New York musician in Brussels, and Pip Chodorov, film-maker from New York in Paris, evoke their home town through images filmed in 16 mm, sounds taken over the years, songs, electronic music, as well as a new composition of Charlemagne ... (more)
Imaginary Friend (1998)
"This film is close to End Memory. Under the shock of a recent break-up I built a film with similar elements: a day of nostalgia in the countryside, the picking of blackberries, the meal, having fun with friends, at the edge of the pond, the sunset, the memory of a ... (more)
"This film is close to End Memory. Under the shock of a recent break-up I built a film with similar elements: a day of nostalgia in the countryside, the picking of blackberries, the meal, having fun with friends, at the edge of the pond, the sunset, the memory of a ... (more)
Numéro 4 (1989)
The single frame is the only visible unit in film, yet it is nearly invisible. To see a single frame goes against the nature of cinema; even if that is its very nature. If every frame holds the same image, there will be no movement; if they are completely different ... (more)
The single frame is the only visible unit in film, yet it is nearly invisible. To see a single frame goes against the nature of cinema; even if that is its very nature. If every frame holds the same image, there will be no movement; if they are completely different ... (more)
The Photographer (1990)
A complement to the previous film (Numéro 4, 1989) : the fictional hero has the power to stop the projector, returning the cinema to its photographic origins, killing its motion. Having the unfortunate idea of taking his self-portrait, he finds himself caught in a ... (more)
A complement to the previous film (Numéro 4, 1989) : the fictional hero has the power to stop the projector, returning the cinema to its photographic origins, killing its motion. Having the unfortunate idea of taking his self-portrait, he finds himself caught in a ... (more)
US Rushes (1997)
Three weeks of travel in the USA in June 1997: New York, Vermont, New York, Los Angeles, San Francisco, New York, edited entirely in camera and projected with music from the 60s. (more)
Three weeks of travel in the USA in June 1997: New York, Vermont, New York, Los Angeles, San Francisco, New York, edited entirely in camera and projected with music from the 60s. (more)