Vlatko Gilić
In continuo (1971)
"In continuo" uses slaughterhouse imagery to present the warlike nature of man, first depicting the cleaning and mechanical preparations for the slaughterhouse and then the killing, however, the animal slaughter itself isn’t shown. (more)
"In continuo" uses slaughterhouse imagery to present the warlike nature of man, first depicting the cleaning and mechanical preparations for the slaughterhouse and then the killing, however, the animal slaughter itself isn’t shown. (more)
Days of Dreams (1980)
Jelena spends her summer holiday tending a flock of sheep. A plane from a nearby aerodrome attracts her attention and she and the pilot engage in spontaneous games. (more)
Jelena spends her summer holiday tending a flock of sheep. A plane from a nearby aerodrome attracts her attention and she and the pilot engage in spontaneous games. (more)
Backbone (1975)
An unbearable stench makes quite wide confusion among the residents of Belgrade. The microbiologist Pavle can not remember immediately where he smelled it, but recalls the event he witnessed as a child and the smell of a burning human. A visit to the crematorium ... (more)
An unbearable stench makes quite wide confusion among the residents of Belgrade. The microbiologist Pavle can not remember immediately where he smelled it, but recalls the event he witnessed as a child and the smell of a burning human. A visit to the crematorium ... (more)
Homo sapiens (1969)
The first film in Vlatko Gilić’s Sisyphean trilogy, Homo sapiens follows a suited man as he takes a trek back and forth across a sandy desert to fill an oversized barrel using a woefully small tub of water. Shot in stark black and white and edited to achieve a ... (more)
The first film in Vlatko Gilić’s Sisyphean trilogy, Homo sapiens follows a suited man as he takes a trek back and forth across a sandy desert to fill an oversized barrel using a woefully small tub of water. Shot in stark black and white and edited to achieve a ... (more)
Love (1972)
On many working sites where workers spend years away from their families, every visit is an event. A husband climbs down from a potentially fatal construction site to meet his wife for lunch. (more)
On many working sites where workers spend years away from their families, every visit is an event. A husband climbs down from a potentially fatal construction site to meet his wife for lunch. (more)
Judas (1972)
In the rocky wastes of Mount Velebit, men have lived for centuries in close proximity with snakes. They learned to anticipate and cope with the dangers of the evil region, but the true battle begins when man comes to grips with the evil in himself. (more)
In the rocky wastes of Mount Velebit, men have lived for centuries in close proximity with snakes. They learned to anticipate and cope with the dangers of the evil region, but the true battle begins when man comes to grips with the evil in himself. (more)
A Day More (1972)
"Dan više" is about a mudbath near the small Serbian town of Bujanovac that is famous for healing illnesses. People cover themselves from head to toe in mud and then float on the water: Vlatko Gilić created a ghostly, surreal scenario, whose everyday quality is ... (more)
"Dan više" is about a mudbath near the small Serbian town of Bujanovac that is famous for healing illnesses. People cover themselves from head to toe in mud and then float on the water: Vlatko Gilić created a ghostly, surreal scenario, whose everyday quality is ... (more)
Power (1973)
An insight into the lecture "How to rule the others" given by Mr. Slobodan Cirkovic 'Roko', a well-known Yugoslav experimentalist on telepathy and hypnosis. (more)
An insight into the lecture "How to rule the others" given by Mr. Slobodan Cirkovic 'Roko', a well-known Yugoslav experimentalist on telepathy and hypnosis. (more)
Homo homini (1970)
The second film in Vlatko Gilic’s Sisyphean trilogy. (more)
The second film in Vlatko Gilic’s Sisyphean trilogy. (more)
Back to His Native Woods (1968)
"Povratak na rodno drvo" is a Yugoslav short film from 1968. It was directed by Vlatko Gilić and the screenplay was written by Matija Bećković. (more)
"Povratak na rodno drvo" is a Yugoslav short film from 1968. It was directed by Vlatko Gilić and the screenplay was written by Matija Bećković. (more)
Short film directed by Vlatko Gilic and Predrag Golubovic (more)