Maureen Selwood
Maureen Selwood is a filmmaker artist who works with visual art, digital media, installation, and performance. A pioneer in the field of independent experimental animation, Selwood has both charted new territory for women artists, and reframed conventional notions of women as objects of desire in art history. Rooted aesthetically in film noir, dada and surrealism her work explores carnivals, festivals, and religious rites as celebrations and showcases for the imaginary. After graduating with her MFA from NYU’s Tisch School of the Arts, Selwood found herself at the center of a burgeoning new scene in independent animation, which aligned itself more with the art world than with the traditional animation establishments of the time. Selwood produced such ground breaking films as: Odalisque, The Rug, This Is Just To Say and Pearls. Critics celebrated Selwood's ingenuity and artistic elegance. After NY Selwood moved to Los Angeles where Jules Engel invited her to teach at California Institute of the Arts in the Experimental Animation Program. Shaped by influences she experienced there, she produced: Flying Circus: An Imagined Memoir; Hail Mary; Mistaken Identity; Drawing Lessons; and A Modern Convenience. Selwood was a recipient of the prestigious Rome Prize and while in Rome she created the installation, As The Veil Lift. Resistance and the book, Green Is for Privacy. As You Desire Me (2009) is an installation created in response to the Iraq War. In 2010, Selwood created ...
Animated Self-Portraits (1989)
An animated film compiled by David Ehrlich consisting of 27 animators from different countries all explaining themselves through their animation. (more)
An animated film compiled by David Ehrlich consisting of 27 animators from different countries all explaining themselves through their animation. (more)
Odalisque (1980)
"I think of Odalisque as my first film. It was completed after film school and I worked with just a graphite pencil, a small group of colored pencils and animation bond. It is a trilogy of amorous dreams coming from the imagination of a woman recalling her ... (more)
"I think of Odalisque as my first film. It was completed after film school and I worked with just a graphite pencil, a small group of colored pencils and animation bond. It is a trilogy of amorous dreams coming from the imagination of a woman recalling her ... (more)
Pearls (1988)
With minimal tools and the limitation of a single image of a woman’s head a set of pearls activates a woman’s inner drive expressing freedom of movement. Animation suggests quickly a series of possible choices. The decision is ultimately hers. An animation ... (more)
With minimal tools and the limitation of a single image of a woman’s head a set of pearls activates a woman’s inner drive expressing freedom of movement. Animation suggests quickly a series of possible choices. The decision is ultimately hers. An animation ... (more)