A omnibus film about protests in Rio de Janeiro during 2013. (more)
A omnibus film about protests in Rio de Janeiro during 2013. (more)
After a shooting assignment, Henrique is mugged by two armed motor-bikers who steal his camera and speed off. Seconds later, he watches both get hit by a pickup truck driven by a self-appointed avenger, someone weary of feeling defenseless against the urban ... (more)
After a shooting assignment, Henrique is mugged by two armed motor-bikers who steal his camera and speed off. Seconds later, he watches both get hit by a pickup truck driven by a self-appointed avenger, someone weary of feeling defenseless against the urban ... (more)
Memories of a parrot who participated in the filming of the classic Vidas Secas, in 1962, where it was featured along the puppy Baleia. (more)
Memories of a parrot who participated in the filming of the classic Vidas Secas, in 1962, where it was featured along the puppy Baleia. (more)
January 1st, 2003. When Brazil celebrates President Lula′s historic investiture, two middle-class, provincial families gather in an old, poorly maintained house. As they prepare a big party, secrets, hidden desires and frustrations are revealed. (more)
January 1st, 2003. When Brazil celebrates President Lula′s historic investiture, two middle-class, provincial families gather in an old, poorly maintained house. As they prepare a big party, secrets, hidden desires and frustrations are revealed. (more)
LA MANUELA is a movie about exile and self-reinvention. In august 2015, Manuela Lavinas Picq, a french-brazilian journalist and university professor, was arrested at a demonstration in Quito, Ecuador. That same night, her work visa was revoked and she was taken ... (more)
LA MANUELA is a movie about exile and self-reinvention. In august 2015, Manuela Lavinas Picq, a french-brazilian journalist and university professor, was arrested at a demonstration in Quito, Ecuador. That same night, her work visa was revoked and she was taken ... (more)
An affective approach to the relationship between Mário Pedrosa, one of the greatest art critics of the 20th century, and some of the most important Brazilian artists takes the viewer on a journey through Brazilian art from the 1950s. (more)
An affective approach to the relationship between Mário Pedrosa, one of the greatest art critics of the 20th century, and some of the most important Brazilian artists takes the viewer on a journey through Brazilian art from the 1950s. (more)