Jeni Thornley
Jeni Thornley is a documentary filmmaker, writer and film valuer. Her poetic essay documentaries: Maidens (1978), collaborative feature film and Penguin book, For Love or Money: a history of women and work in Australia (1983), To the Other Shore (1996) and Island Home Country (2008) are landmark films in Australian independent and feminist cinema, widely distributed and also broadcast on ABC TV and SBS. Her films are available online and DVD via beamafilm, Ronin Films and Anandi Films.
For Love or Money (1983)
Using almost totally historical material, For Love or Money encompasses the role of Australian women in both paid and unpaid work, over a 200 year period. (more)
Using almost totally historical material, For Love or Money encompasses the role of Australian women in both paid and unpaid work, over a 200 year period. (more)
A Film for Discussion (1973)
A docu-drama shot in 1970, but not completed until 1973, the film sought to encapsulate in an experimental form issues that were under discussion within the Women’s Liberation Movement at this time and to thus contribute to action for change. In its numerous ... (more)
A docu-drama shot in 1970, but not completed until 1973, the film sought to encapsulate in an experimental form issues that were under discussion within the Women’s Liberation Movement at this time and to thus contribute to action for change. In its numerous ... (more)
A female life-model sits for a class of male artists. (more)
Maidens (1978)
Maidens(1978) is an autobiographical essay film, using personal archives, still and moving image, from both domestic and other sources, lyrical narration and emotive music to trace the filmmaking journey of one feminist (the filmmaker herself). Almost four years in ... (more)
Maidens(1978) is an autobiographical essay film, using personal archives, still and moving image, from both domestic and other sources, lyrical narration and emotive music to trace the filmmaking journey of one feminist (the filmmaker herself). Almost four years in ... (more)
memory film: a filmmaker’s diary
‘memory film: a filmmaker’s diary’ is an immersive poetic documentary based on Jeni Thornley’s Super8 archive (1974-2003) filmed during the decades of her political and personal filmmaking, while producing ‘Maidens’, ‘To the Other Shore’, ‘Island Home Country’ and ... (more)
‘memory film: a filmmaker’s diary’ is an immersive poetic documentary based on Jeni Thornley’s Super8 archive (1974-2003) filmed during the decades of her political and personal filmmaking, while producing ‘Maidens’, ‘To the Other Shore’, ‘Island Home Country’ and ... (more)
Island Home Country (2008)
A poetic cine-essay about race and Australia’s colonised history and how it impacts into the present offering insights into how various individuals deal with the traumatic legacies of British colonialism and its race-based policies. The film’s consultative process, ... (more)
A poetic cine-essay about race and Australia’s colonised history and how it impacts into the present offering insights into how various individuals deal with the traumatic legacies of British colonialism and its race-based policies. The film’s consultative process, ... (more)
To The Other Shore (1996)
A deeply personal study of motherhood as a ‘rite of passage’. It interweaves moments from the filmmaker’s childhood, family life and psychotherapy with world events, including the Holocaust, the Vietnam War and the Chernobyl nuclear accident, to evoke the complex ... (more)
A deeply personal study of motherhood as a ‘rite of passage’. It interweaves moments from the filmmaker’s childhood, family life and psychotherapy with world events, including the Holocaust, the Vietnam War and the Chernobyl nuclear accident, to evoke the complex ... (more)