Fereydun Gole
From Wikipedia, the free encyclopedia. Fereydun Gole (also spelled Fereydoun Goleh) (1942–2005) was an Iranian screenwriter, film director, and film editor. He was active in producing urban drama films throughout the 1970s, dealing with such issues as the social stratification of Tehran. His most famous film was Beehive. After he died in 2005, the 2006 documentary film Iran: A Cinematographic Revolution was dedicated to him. Description above from the Wikipedia article Fereydun Gole, licensed under CC-BY-SA, full list of contributors on Wikipedia.
The Mandrake (1975)
Ali's land which he inherited is usurped by his aunt. He sells flowers for living but one night outside the city he meets a strange woman who seems to running away from some people. She introduces herself as Mehri and rides in Ali's car. This leads to a ... (more)
Ali's land which he inherited is usurped by his aunt. He sells flowers for living but one night outside the city he meets a strange woman who seems to running away from some people. She introduces herself as Mehri and rides in Ali's car. This leads to a ... (more)
Beehive (1975)
Recently have been released from jail, Ebi makes a bet with his Friend that he goes and drinks in seven bars without even paying any money. (more)
Recently have been released from jail, Ebi makes a bet with his Friend that he goes and drinks in seven bars without even paying any money. (more)
Honeymoon (1976)
Reza and his mother Mah Banu, have a good and near relationship with Hossein family known as Khan Baba. Reza spends his time with Changiz, the son of Hossein family, and is interested in his sister, Mino. (more)
Reza and his mother Mah Banu, have a good and near relationship with Hossein family known as Khan Baba. Reza spends his time with Changiz, the son of Hossein family, and is interested in his sister, Mino. (more)
Iran: A Cinematographic Revolution (2006)
Today Iranian cinema is one of the most highly regarded national cinemas in the world, regularly winning festival awards and critical acclaim for films which combine remarkable artistry and social relevance. Iran: A Cinematographic Revolution traces the development ... (more)
Today Iranian cinema is one of the most highly regarded national cinemas in the world, regularly winning festival awards and critical acclaim for films which combine remarkable artistry and social relevance. Iran: A Cinematographic Revolution traces the development ... (more)
Under the Skin of the Night (1974)
In one of his daily wanderings, Ghasem Siah, a young jobless guy who leads a street life, runs into a young American tourist girl who is spending her last day in Tehran. Without understanding each other's words, they strike up a friendship and the girl accepts to ... (more)
In one of his daily wanderings, Ghasem Siah, a young jobless guy who leads a street life, runs into a young American tourist girl who is spending her last day in Tehran. Without understanding each other's words, they strike up a friendship and the girl accepts to ... (more)
Kaafar (1972)
Mehdi Kafar gets released from the prison after six months. He goes after his friends and asks them to help him going after Hassan Tala's gang who caused him to be jailed to get revenge... (more)
Mehdi Kafar gets released from the prison after six months. He goes after his friends and asks them to help him going after Hassan Tala's gang who caused him to be jailed to get revenge... (more)