Matthew Barney

The film concerns the theme of self-imposed limitation and continues Matthew Barney's interest in religious rite, this time focusing on Shinto  (more)

Cremaster 5 (55 min, 1997) is a five-act opera (sung in Hungarian) set in late-ninteenth century Budapest. The last film in the series, Cremaster 5 represents the moment when the testicles are finally released and sexual differentiation is fully attained. The ...  (more)

CREMASTER 3 (2002) is set in New York City and narrates the construction of the Chrysler Building, which is in itself a character - host to inner, antagonistic forces at play for access to the process of (spiritual) transcendence. These factions find form in the ...  (more)

CREMASTER 4 (1994) adheres most closely to the project's biological model. This penultimate episode describes the system's onward rush toward descension despite its resistance to division. The logo for this chapter is the Manx triskelion - three identical armored ...  (more)

CREMASTER 1 (1995) is a musical revue performed on the blue Astroturf playing field of Bronco Stadium in Boise, Idaho - Barney's hometown. Two Goodyear Blimps float above the arena like the airships that often transmit live sporting events via television broadcast. ...  (more)

The latest installment in the monumental Drawing Restraint series, which merges sculpture, athleticism and cryptic symbolism into a stunning meditation on art-making and physical exertion.  (more)

CREMASTER 2 (1999) is rendered as a gothic Western that introduces conflict into the system. On the biological level it corresponds to the phase of fetal development during which sexual division begins. In Matthew Barney's abstraction of this process, the system ...  (more)

Visionary artist Matthew Barney returns to cinema with this 3-part epic, a radical reinvention of Norman Mailer’s novel Ancient Evenings. In collaboration with composer Jonathan Bepler, Barney combines traditional modes of narrative cinema with filmed elements of ...  (more)

For his five Cremaster films Matthew Barney's created a multitude of sculptural forms and structures. Recently both the sculptures and the films traveled to museums in Cologne, Paris and New York's Guggenheim. In THE CREMASTER CYCLE: A Conversation with Matthew ...  (more)

The goddess Diana and her two attendants traverse the rugged terrain of Idaho’s Sawtooth Mountains in pursuit of the elusive wolf. An Engraver (Matthew Barney) furtively documents their actions in copper engravings and provokes a series of confrontations. The ...  (more)

Hesitation to recover a dropped pearl results in a delay-of-game penalty play.  (more)

Matthew Barney, in a harness suspended from the ceiling, leaps around a room and lowers himself onto gobs of petroleum jelly.  (more)

A "video action" in which Barney crosses the ceiling of the Gladstone Gallery using a harness and ice-climbing screws, propelling himself by the forces of muscle and will.  (more)

Filmmaker Aryan Kaganof goes behind the scenes of Matthew Barney's impossible to find short "March of the Anal Sadistic Warrior (1998)."  (more)

Commissioned as part of the Destricted Short Film Series, 'Hoist' was shot in Bahia, Salvador. It's described by the director as "a juxtaposition of sexuality and industrial machinery".  (more)

A compilation of erotic films intended to illuminate the points where art meets sexuality.  (more)

How does artist Matthew Barney use 45,000 pounds of petroleum jelly, a factory whaling vessel and traditional Japanese rituals to create his latest art project? Barney plowed the waters off the coast of Nagasaki to film his massive endeavor, Drawing Restraint 9. ...  (more)

Presented as part of the exhibition "RIVER OF FUNDAMENT", Museum of Contemporary Art, Los Angeles.  (more)

The first collaboration between Matthew Barney & Elizabeth Peyton, Blood of Two is a unique, site-specific work that draws its references from Hydra itself – the surrounding environment, animals, humans, and local traditions are all part of the project in equal ...  (more)

A video installation in which Satyrs grapple in a limousine as it drives through the tunnels of New York City. While one satyr chases its tail in the front seat, another attempts to make a drawing in the condensation-coated sunroof of the limousine using the third ...  (more)