A poetic essay on the city of St. Petersburg in the 18th century, based on poems by Alexander Pushkin and Alexander Blok and a novel by Andrey Belyi. The film contains reworked footage from Aleksey Batalov's "Overcoat", Eisenstein´s "Strike", Petrov's "Peter The ... (more)
A poetic essay on the city of St. Petersburg in the 18th century, based on poems by Alexander Pushkin and Alexander Blok and a novel by Andrey Belyi. The film contains reworked footage from Aleksey Batalov's "Overcoat", Eisenstein´s "Strike", Petrov's "Peter The ... (more)
Based on a painting by M. Vrubel, a poem by M. Lermontov and the play "Faust" by Goethe. This film is the first part of the trilogy 'Everlasting Variations'. The author attempts to expose the atmosphere of early 20th century Russian romanticism, which Vrubel's ... (more)
Based on a painting by M. Vrubel, a poem by M. Lermontov and the play "Faust" by Goethe. This film is the first part of the trilogy 'Everlasting Variations'. The author attempts to expose the atmosphere of early 20th century Russian romanticism, which Vrubel's ... (more)
Loosely based on tales by E. T. A. Hoffman. In a wonderland inhabited by fiery salamanders and winged spirits, good fights evil in search of a life-giving talisman whose finder will rule the world. (more)
Loosely based on tales by E. T. A. Hoffman. In a wonderland inhabited by fiery salamanders and winged spirits, good fights evil in search of a life-giving talisman whose finder will rule the world. (more)
According to Egyptian mythology, Ka is a life force that exists separately from its “master”. These are not the people themselves, but their materialized souls. On the one hand, this is a story about how the ancient Egyptian Pharaoh Akhenaten transmits his Ka to ... (more)
According to Egyptian mythology, Ka is a life force that exists separately from its “master”. These are not the people themselves, but their materialized souls. On the one hand, this is a story about how the ancient Egyptian Pharaoh Akhenaten transmits his Ka to ... (more)
Irina Evteeva’s debut quickly became a kind of manifesto for the one-room experimental studio: it defines classification by interweaving animation, appropriated footage, feature and documentary to form a unique whole, a film that rushes backwards into the future, ... (more)
Irina Evteeva’s debut quickly became a kind of manifesto for the one-room experimental studio: it defines classification by interweaving animation, appropriated footage, feature and documentary to form a unique whole, a film that rushes backwards into the future, ... (more)