Stewart Home
Screams In Favour of De Sade (2002)
English language colour remake of Guy Debord's avant-garde classic from 1952. Like the original this film has no images, but whereas Debord's consisted of black with silence and white with dialogue in French, mine has black with silence and TV colour bars with ... (more)
English language colour remake of Guy Debord's avant-garde classic from 1952. Like the original this film has no images, but whereas Debord's consisted of black with silence and white with dialogue in French, mine has black with silence and TV colour bars with ... (more)
Skinhead Farewell (1996)
The bizarre truth behind the enigma of Jim Moffatt, alias Richard Allen, author of the cult classic Skinhead series of novels for the New English Library pulp fiction publishers of the 1970s. (more)
The bizarre truth behind the enigma of Jim Moffatt, alias Richard Allen, author of the cult classic Skinhead series of novels for the New English Library pulp fiction publishers of the 1970s. (more)
The Falconer (1998)
Chris Petit & Iain Sinclair's liminal, laminal tribute to underground filmmaker Peter Whitehead, featuring image manipulation by Dave Mckean & reminiscences from various countercultural characters. A fitting epitaph for an English margin walker. (more)
Chris Petit & Iain Sinclair's liminal, laminal tribute to underground filmmaker Peter Whitehead, featuring image manipulation by Dave Mckean & reminiscences from various countercultural characters. A fitting epitaph for an English margin walker. (more)
The Animal Drums (2020)
Charting the particular, baffled and morbid character of English attitudes to mortality, The Animal Drums depicts the specific influence of urban space on the psyche. Recalling the tableu film-making of Peter Greenaway and the lyrical disjunction of Harold Pinter, ... (more)
Charting the particular, baffled and morbid character of English attitudes to mortality, The Animal Drums depicts the specific influence of urban space on the psyche. Recalling the tableu film-making of Peter Greenaway and the lyrical disjunction of Harold Pinter, ... (more)